![]() The tale gets most grim in the chorus, but pivots on the natural buoyancy of Case’s voice. On Whiteout Conditions’ title track, his high, hardy vocals nudge out ahead of the busy synths and chipper drums to recall a depressive episode he recounts days spent falling into a resentful hermitude, turning from windowpanes, before clawing his way back toward the light (a sunny day literally helps kick him out of inertia). The balancing act is most apparent in the presence of the default lead Pornographer, Newman, a man who’s earned both a chuckle and our deepest condolences for sticking to this band name for nearly two decades. The color white may reflect light, but it doesn’t absorb it. This, plus a singularly bright and skipping tempo, creates an almost forcibly energetic mix-but like any 1980s production worth its salt, it betrays a deeper well of desolation. The album also largely discards lead vocals in favor of closely blended harmonies, the type that practically huddle in their team spirit. Newman, Neko Case, and Dan Bejar’s considerable individual fame.) Whiteout Conditions packs the most blanket pep of the power-pop group’s seven albums, dense with that particular new wave brand of electronic two-for-one-insistent, tinny arpeggio synths pinpricking rich, sweeping base chords. (They still shrug off that they’re a “ supergroup” despite A.C.
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